But it wasn’t easy and concessions had to be made. My friend Evan Bogart and I pushed to add songwriters to the list of eligible winners, and we’re proud that the organization finally did. Then she changed the name of the album to “Dangerous Woman.” She named her tour, clothing line and documentary “Dangerous Woman.”Īt that point, there had been 59 Grammy Awards, and no songwriter had ever participated in the show’s biggest category. That’s how albums are usually made: An artist often writes the bulk of the album with their favorite collaborators and the label picks singles often sent in by outside writers. That was the only song I had on the album and it was the last song to be added. In 2016, I wrote “Dangerous Woman” for Ariana Grande. The first two singles, “Butterflies” and “Space Cowboy,” were cowritten by the great Luke Laird - but those were his only songs in the collection, and thus, he did not qualify to stand onstage when the album won! Imagine Paul Epworth not winning for “Rolling in the Deep” or Dan Wilson not winning for “Someone Like You” or Ryan Tedder not winning for “Rumour Has It,” all from Adele’s blockbuster album “21.”īut wait, they did win. Take Kasey Musgraves’s “ Golden Hour,” which won both Country Album of the Year and the big prize, Album of the Year, back in 2019. That’s why they mean so much to so many.īut it’s time to do away with the Grammys’ “33% rule”: in order to win a nomination for the Album of the Year categories as an artist, producer, songwriter or engineer, you must participate in 33% or more of the album. But the Grammys are built to celebrate the very best music voted by peers. Every other award is a popularity contest voted on by fans. The Grammy Awards represent more to music than any other award. Do those rings dilute the accomplishments of their teammates? Of course not. Do those rings dilute the accomplishments of future teams that win championships? Of course not.
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In all major professional sports, rings are given not just to players but even to strength and conditioning coaches - not because pro teams are generous, but because the coach earned it.
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TV Ratings: Grammy Awards Hit Record Low, Down Nearly 53% Compared to 2020's Show Why the Grammys' Eddie Van Halen Tribute Got It Right Grammy Winners and Losers: How Beyonce, Harry Styles, Megan, BTS, '70s Fashion and the Show Itself Fared in the Afterglow What if the rules were that you had to be on the field for 33% of all games played to count as a member of the team? Variety welcomes suitable and responsible guest columns, to submit please email the sports analogy, but imagine a World Series-winning baseball team not giving any of their starting pitchers championship rings because they only started 20% of the team’s games.
This column by songwriter-producer Ross Golan - who has worked with Ariana Grande, Maroon 5, Celine Dion, Justin Bieber and many others and is also creator and host of the “And the Writer Is” podcast - calls for the Recording Academy to change the “33% rule” it uses to determine which contributors to an album receive an award.
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